Indian Weavers-Sarojini Naidu–QUESTIONS AND ANSWERS
“The Golden Threshold” contains one of Sarojini Naidu’s most renowned poetry, “Indian Weavers.” It’s a beautiful poem that incorporates the Hindu trinity’s symbolism. Sarojini Naidu, a poetess, deftly employs the diverse work of Indian weavers as emblems of the pattern-grave and gay-woven by life. The symbols are particularly relevant due to the harmony of three separate times, daybreak, nightfall, and moonlight, and the effort weaved into each.
The poem portrays an Indian environment in which weavers make cloth on handlooms in many-colored patterns, notably in rural areas. The poem is written in a question-and-answer format. Because it is merely a notion, rather than an experience, the poetry is metaphorical; rather allegorical. Here, the entire humor and sadness of human existence are displayed. Birds, varied colors, different times of the day, different moods, similes and images, and sound patterns all contribute to the poem’s complicated texture, which is woven into a sense of harmony whole by references to birds, variegated colors, different hours of the day, different moods, similes and images, and sound patterns.
The poetry is split into 3 stanzas, each with four lines. In each stanza, first line rhyming with the next, while the third line rhymes with the fourth. The poetry has a sing-song feel to it. The poem is written in the style of a question and answer.
The poem’s wording is simple and straightforward. Color imagery has been used by the poetess. The employment of poetic elements such as simile and metaphor helps to create a visual effect. Musical influence is added via alliteration, rhyming words, and rhythm.
The poem is structured in a question-and-answer format.
The question appears in the opening two lines of each stanza, and the answer appears in the last two lines. The joyous weavers make the clothes of a newborn child before dawn. They weave a dazzling gown in the late hours of the night.
Activity of weavers
In the poem’s three stanzas, the weavers create three different products:
In the first verse, they create brilliant blue-colored garments for a newborn kid that resemble the wild halcyon’s blue wings.
In the second verse, they create a queen’s wedding veil in purple and green, with colors that resemble peacock plumes.
They prepare a funeral shroud for a deceased man in the third stanza. The shroud is white, like a cloud and a feather.
The first stanza is titled “NEWBORN”
The poet tells the weavers why they are creating clothes that appear to be extremely handsome and intelligent early in the morning in the opening stanza. The clothing is as blue as a halcyon wild’s wing. The kingfisher is also known as a Halcyon.
The kingfisher’s wings are a vivid blue color. In addition, the color blue represents fidelity. As a result, the color blue represents something lovely and valuable. As a result, the clothes woven by the weavers in this stanza are exceedingly unique, and the poet is anxious to learn more about them.
In Hindu creation tales, the dawn of daybreak symbolizes the beginning of life, the formation of new life, and blue represents the depth and color of the ocean, from which the white swan and the white Lotus emerge. It also came into this world with the newborn. The almighty Brahma’s creative abilities and creative bliss are expressed in the newborn infant. As a result, it is fitting that the robe is woven for him to be blue in color, cheerful, and bright.
The Weavers of India respond We are weaving the robes of a newborn infant, that is, they are weaving a lovely dress for a newborn who has just entered the world. Break of day, colorful clothing, and blue as the wing of the halcyon wild are some of the metaphors employed in this verse to characterize the early stage of human life. This stage is full of joy, newness, hope, and beauty, among other things. The stage is devoid of sadness.
The second stanza is titled “YOUTH”
The Weavers weave beautiful purple and green clothes that resemble peacock plumes throughout the night. When the poetess inquires, they are informed that it is a Queen’s wedding veil. This represents a human being’s youth. Youth is the most lively, pleasurable, and appealing period of one’s life. As a result, the phrase “the plumes of a peacock, purple and green” was employed here.
The poem’s second stanza is more significant in every way since it addresses the section of our lives in which we are most active, each as though capable of conquering the world. The poet then goes on to ask the weavers what they’ve been weaving, rather than why they’ve been weaving such a bright garment at the “fall of night”.
The weavers respond by announcing that they are constructing “queen marriage veils,” which are feathery thin and “purple and green like the plumes of a peacock.” As a result, the veil must be immersed in purple and green, just like a peacock’s feathers.
Purple may represent a kingly form of luxury, as it is bright and dazzling. Green, on the other hand, might represent both nature and youth, prosperity, and beauty. For youth is the pinnacle of our lives, when anything is possible and aspirations can be imagined and realized.
It is a sign of hope. It’s possible that the poet is attempting to draw our attention to the fact that, when the night falls and each person’s youth fades, we tend to resist aging by dressing brightly and cheerfully in order to make ourselves happy and cloaked from what is to come. We transcend ourselves to the beauty that life itself is when we are free of gloom.
Because night has no light, the youth provide light by wearing something brilliant in the dark, producing a ray of hope (which is represented by the color green, but purple here represents the shining quality of youth, which eliminates darkness with its bright shine). However, the mention of “marriage-veils” could allude to the youth’s transition into maturity, which is marked by duties. As a result, purple and green represent the two aspects of youth. Purple is initially mentioned by the poet because it represents the early stages of youth when one is free of responsibilities and dressed to the nines (which may also try to give the idea that it is the time when they are their best selves). Green, on the other hand, represents the later years of one’s youth, when marriage and thus duties bring stability and tranquility to one’s life, allowing for more wonderful moments of love and caring. As a result, this stanza is for the mirth, as well as the free and energetic essence of youth, which later becomes more grounded and cheerful.
The third stanza is titled “OLD AGE “
The poetess discovers the weavers always at the task in the frigid moonlight. They are suddenly deafeningly quiet, and their demeanor is solemn. They are already sewing a white cloth as white as a bird’s feather or a cloud, and in response to the poetess’s inquiry, they say that they are creating it for a deceased man’s burial shroud. The chill of the moonlit night is symbolic of death, thus it’s only natural that the shroud be white, as white is the color of purity, oneness, and possibility. Death entails a reunion with the eternal as well as the prospect of rebirth. Thus, the poetess has tracked a person’s existence through the three most essential periods of birth, marriage, and death in this beautiful lyric.